Crux
Definition of Term: A crux is a
genetic homunculus in representative of symbol matching behavior, to determine
safety in attempting a job. A design, is a method of cheating this behavior, to
be removed by a pattern, preventing the crux from being stripped and harm to
life following. A design is a method of using a manipulation of visible
architecture, no other, to confuse people into poverty, that seem innocent,
despite having been bribed or cajoled to follow the design, for reward, not to
avoid punitative measure, the latter providing an uprising against the design
by memory of crux displayed to bribe. A pattern, meanwhile, is hidden in an
established work of art, a proper dynamic method of moving a piece of artwork
that is known to a family, at sacrifice of the designer or a cohort, into
undoing their own system of design and making them plain to the public, as not
having grasped the pattern, hence being disjointed in the eyes of the people.
Sanitary Hygiene: The toilet is to
be wiped with both hands, of the cleft of the rear of the buttocks, after
defecating. As repulsive the topic, but essentially attractive the proper
behavior, this is how we know someone can pass any crux, therefore has
registered as a psychiatric subject should the hygiene have been removed by
others, a design, giving an army pattern piece, to anyone having recalled the
individuals removing the proper behavior for the sitting position.
Dexterous Hygiene: The hands are to
be washed with palms together and parallel and straight, with a sliding
horizontal motion between them, after using soap, anywhere, particularly in
surgery or at a hospice or among artists. This indicates that life, is more
valuable than your own role in a profession, benefitting you by saving life in
all three of those professions; making grievous incision, dealing with mental
health, or producing prints of patterns to counter designs, and of course, if
the individual washes properly, a design is impossible to produce, the opposite
hand, the wipe down across the blade of the hand, the choke artist - an
individual who breaks into domiciles to watch people or animals or pets in
their sleep.
Foot Hygiene: To ensure shoelaces
and proper feet culture and regular showers are used, for extended periods
standing to indicate an individual is capable of attaining collegiate,
vocational, or family training, even as a cook or restaurant employee, the
dominant hand must remain closed in a tight fist, while the non-dominant hand
locks around it, with the non-dominant hand's thumb on top, closing on the
fist. This is for rope, to determine that you are capable of working with
others, instead of interlacing your fingers, for the homicidal homosexual
eroticism of feeling your knuckles align against each other, indicating that
you commit the act of sexual assault in physical form. Hence, our communities
and workspaces are free from harassment and pressure assault conduct disorders
invoking pederasty as their dual self-behavior and accusation.
Method of Design: To spot a design,
we look for a refusal to listen to argument not contrary to the opinion of
one's own profession, instead of an argument acceptable to one's own position
being placed into play against the potential victim of the design. If a passive
non-Hebrew grammar is used, this indicates a design has been quashed by the
typist, or speaker, with Hebrew dynamics indicating that the user has refused a
language outside of Hebrew, hence is speaking the Egyptian slave's tongue to
hide having used a design in any broker's faith, including Chinese or African.
Hebrew is used for a new identity, after learning, hence it is paramount to
admission of guilt, being admitted into Judaism, to having created a series of
visible architecture spaces, the purpose of creation of Nizzi, the proper name
of the concept of Hebrew, in Egypt. Thieves, were taught Hebrew, as punishment,
making it impossible for them to ever create their own work again, instead
transitioning it to another medium, from observation - a dangerous product.
Method of Pattern: A pattern moves
into a genetic advantage of combat, per family line, where a natural
recognition of a work of art is used by the pattern wielder to counter a design
in a recognizable way to the public, disrupting anyone using any type of
pattern, particularly Nizzic, Arabic, or Latin. Nizzic, responds in disbelief
that the act has occured, Arabic, responds in acts of bestiality in the name of
Judaism, and Latin, results in an attempt to mimic the pattern in art to match,
creating a new plotspace based on the exploit. The more languages are stacked,
the deeper in submission these three punishment tongues go, Nizzic for an
Egyptian thief, such as an Israelite, Hittite, or Akkadian, Arabic for a man
that has committed bestiality against his wife's pet hun, their term for hound,
and Latin for the Roman Legion, as penalty for having assaulted a woman in
public (otherwise death, for refusing term in military). The pattern is always
used the same way, collectively called by those using their tools, 'Mob',
referring to the wielded power of force of families, 'Mafia', any other use of
terminology 'obscene', hence someone is ascribing a criminal unit or police
supervision term to the roles of an anti-designs expert or a social movement
incipient as a 'boss', when in fact it's a simple attack of opportunity against
a thief of crux versality from the human republic.
Comments