British Imperial

 

Simplicity of Britain: Britain is an exceptionally easy state to deduce, with a set of five strategies, leading simplest, into most complex, and each stage at the end, feeding back into the first, the first held by leadership of any family with a last name in royal title.

First Strategy: The first strategy is conscription, the act of inducement in pederasty for a draft officer to take a child or man or woman off the streets as a private citizen, and place them under a “Scotland” agency, opening the victim’s children to child molestation, future consumers of British film. Royals are never recruited, since this pushes them contrary interest.

Counter Strategy: Accusation of false royalty to any true royal, resulting in the royal recruiting being labeled as a ‘bird’, a gay man, as well as their network of Scotland.

Second Strategy: Psychiatric commitment is used, to monitor potential asset agents conscripted, with doctors reporting through to social worker agencies, out of “pacifist cults”, “anti-war groups”, or “work programs”, all of them attached to British companies of fund to monitor potential subjects. Mobster banking keeps the commitment chain fresh, with liens on banking and businesses and law firms and social programs, through manipulation of the children of bankers into molestation by gangster hires, typically orphans or their descendants.

Counter Strategy: Monitor the ingress of the criminal fraud from the mobsters, and make an informed tip to a business publicly owned by a Jewish corporate owner, Jews operating fundraising operations for their network worldwide, operating at a cash interest for partnership with anyone that can assist with a removal of a lesser bully.

Third Strategy: Marijuana dealing, funds the network’s petty means, out of Canada, the American South, Mexico, South America, Africa, Australia, and Indochina. They sell it among the poor for petty arms and recruits and goons, and lure in bright agents that can function under marijuana for their committed slaves under conscription, for children that can easily be turned into future poor working for the British. They deal this through record companies, record stores, record labels, and any industry supplying distribution of albums, concerts, t-shirts, posters, venues, or tours, since it is a system that is impossible to make money in, due to the saturation of the industry by the British themselves, hence the ploy.

Counter Strategy: Dianetics, is this chief strategy that the British use, the concept of taking fact, and putting it into fiction, to take references off the shelves for copyright claim among the common poor, who don’t understand trademarking, common view of asset upon purchase, and distribution of rights laws, instead bullying with civil rights firms for their poor brethren to take advantage of other poor, on behalf of wealthy British and their supporting musical acts and corporations and stores and record distribution networks. Instead, use counter-Dianetics, taking any sitcom, even an ancient comedy, and taking it out of sequence or order or structure, and replacing it with a different lined sequence, even two references enough, to completely destroy an entire marijuana network, since they rely on musical references among the rich, starving the poor into cop jobs.

Fourth Strategy: Film, is the signals set of the British, the manner with which to use the music industry from themesong selected and adjoined psychiatric role from use of conscript as heroic ally. They produce documentaries, afterwards, historical fictions, dramas, books, biographies, even novels, depicting the fictional events of past agents, as famous figures or events from the past, to perform ‘agent kills’, of any escaping agents, into future music repetition of ‘one hit wonder’, a single kill, backed by commitment and conscription of family, to retaliate for a successful cop bust of a marijuana dealer to ruin a psychiatrist loyal to their firm that would otherwise canvas for agents to conscript for needing Alcoholics Anonymous, or anything even relatively similar, all the same thing.

Counter Strategy: Pick a villain, from any movie, and play it as the main hero, from the same movie, as the pattern and organization. You’ll produce a worthless piece of shit docudrama or historical placement for yourself, where the entire work doesn’t make any sense.

Fifth Strategy: What if I told you, you could shrink men’s balls, with a bagging cashier’s register, that was too low? You’ve got dozens of high functioning marijuana addicts to conscript a year, says Queen Anne, the creator of a ‘curious project’ as the press called it, for female business owners. The ‘queer’, as in, odd, in an effeminate way, word, related to a mysterious business project, for rights that everyone has anyways (until the project is through), is the inducement strategy, an engineering labored term with a town history record by the ‘Freemasonic Lodge’, for each strategy, all the same thing, to destroy someone into a potential documented film, through a musical song of your choice as a British spy (whatever your father matches with the word in the effeminate text, for reference), down into commitment for the word to mean homosexual, and into conscript as a father of future molestation victims (easy drafts that work as poor goons selling pot).

Counter Strategy: Hating cat owners does the trick. They’re all queer, just like in the films.