Academic Security

 

You'll find, in your days as a parent of a student, and perhaps as a student yourself if you can apply these systems (even one), that thieves abound. What is a thief? It's someone, reading your work, to score a patent off you, even though a patent, is just for safety of product when distributed to purchasers of your product. These are all systems to defeat a corrupt notarist (a common Mob goomba that assumes work is theirs through holding of possession of material, a lie in law practiced by the cynical).

In these cases, possession is zero percent of the law, only your signed contract to produce work with a team giving you creative control. Demonic possession, on the other hand, is guaranteed (roast duck, as the Chinese would say).

Arthurian Hierophant: The individual written, is the individual receiving the work given, or any individuals you suspect are within this consideration of being benefitted by your work, without contract pay and inclusion within trademark process. Simply place the write-in, as your target, a hero, yourself, as non-inclusive, the quest, as a woman to steal, always the object of your affections (and as a woman, never your child, only your father), and the method of preferred demise of the target, as the quest's object, in form of bawdy joke given your own ass, defiling itself with bowels of draught whiskey (and if not whiskey, then certainly tashimi shashimi, a more poignant and powerful form of emptying your ire on a fool).

Barabas Drop: The most cunning of ruses, you give credit of another, always a friend, as having solved a particular problem, but as an imaginary man, an alias for yourself. This way, once they come to claim credit for the idea or devise, as having solved the problem you've solved, they will appear to have consumed your alter-alias, under civil rights statute barring them of rights and removing the solution of the problem, to the government annals of state, to collect dust on any type of research, problem, polemic, historical period, or particularly a medicine's development, for having dared thieve from you in terms of your hard work.

Channel Five: With the five perenniel questions, Who, What, Where, How, and Why, simply remove one of these answers, answer the other four, then review your authorship and place all four into the summary of the last remaining, with a match of the length of the answers to the four previous questions. This way, you can transmute yourself into a chemist of virtue in the eyes of the teacher, defeating any wrangle or handle but yourself, the bleeding eye sore that is the chemistry lab gone, and now understanding base components of the sciences through your work, in your own school program or online circle of friends or notation circle or especially a correspondence with someone of possibly bawdy nature given the love of your life.

Even Coin: There are five types of coins, by myth four, and the fifth, is a modulation on the previous four, making that nine. That's four coins, and one class of the prior. The standard coins are a symbol of state and reason, and a captive, the prior and a granted, a notation of exchange trade and a label of confederate member of league, and a print of notation for a soldier, his rank and exchange hidden in the 'tag', the unit name, to track movement of soldiers by local friendly merchants. The fifth category, is placing the back of the coin, matching the side upright of the other side, to annul the removal of law in signal, enabling a law enforcement trade to enable the rear of the lettering, as criminals. To perform this in law, or underwriting, merely make yourself appear, as the pronomclature, the superceded form of credit, but as another individual, the target for having stolen your idea in book, cinema, or literary occult form.

Nietzschean Lens: Any paper can be placed within relativity of viewer and audience, by taking a common formula from life, and simply applying it as if it were both real, and the flaw interpreted in the formula by a brief experience. The reality of a formula to write a piece of work for, and the flaw in the formula that also leads to the body of the work, are identical in both manner and in flaw of worksmanship. Therefore, reconstructing the formula, as if reality is the drawing form to produce, yet keeping the lifted formula from observation that is flawed in interpretation therefore public produce, makes a perfectly workable design to give the thief a legendary psychotic break. The comedy, lays in the third position, which is you releasing the position that the thief seeks to steal, always a woman, a man's spouse or girlfriend, or a woman's mother, and replacing them with the thief themselves, as marital pact with self, instead of rape and defilement of your love.

Orthodoxy Scramble: To portray a written work as amiable to reform of an institution, but in fact marked and ledgered to indicate the individual stealing is a rank amateur and a thief, simply take three positions of written work, in this particular maneuver and method. The sympathetic aspect of the character, is placed as redeeming, the villainous nature of the character, is placed as societal, and the character's core themselves, are actually a set steal of yourself, in a parallel, had you not been waylaid by the exact individual receiving the written work. Each time, rewriting this, the thief, will place themselves into you, until finally, they cannot tell the difference between you, and them, and they will have an epicanthic fit, believing themselves to be blind, with hysterical disability in terms of drinking alcohol. They will believe it summons evil spirits, because of the Slavic-Russian name upon a bottle of alcohol, 'spirits'.

Pendragon Five: A set of five points, easily maneuvered to return sending point, as male, to receiving point, as female. A set of ledger is taken, from two positions, one a singular formula of secrecy, the other a publicly claimed formula of signal. Then, from one's starting side, to the edge of position, there is a pass of female concept, as male, to which point there will be two invisible moves, and a third in sight, before passed in return as female. This will complete the side with a fifth point linear to yours, as a mated bonding of souls within pact, having stolen an evil man, as a woman, from having submitted a man, as a woman. Hence, anything can be accomplished with even a mere suggestion from the thief of a joke, a rank poseur seeking a blowjob from you (a premature ejaculator seeks a blowjob, they only seem like they're kidding, but in fact, humor is impossible for them).

Riddler Inversion: The individual work must be taken, and placed inverted in terms of fact or fault, before an admission of a crime that one has not committed, is placed into synthesis root of form. This way, anyone suspecting you of being criminal by virtue of not aligning in belief, will frame you as guilty of a crime as them, and place it into common fact of virtue, from seeking your alliance by virtue of force, instead framing themselves as criminal in terms of the crime you have admitted to but not committed, having inverted yourself in personality to a villain and outed the true malefactor as guilty, in singular form or hordes, of any thieving teacher, writer, or politician.

Triangle Man: The maneuver of a set of rules that are impossible to follow, since the individual dictating them does not live by the rules, hence they are arbitrary and entrapping, to the individual at the other side of the calculation. The concept of the triangle is with the joined end, the king's position, at the individual being addressed, with a movement to one side indicating a business proposition, and a movement to the other side indicating a flirtatious discussion, with a bow in defeat being the king at the self, the combined rules, business, and pleasure inducing a suicidal psychosis in any individual attempting to apply rules where not necessary, since the rules are non-objective, and in fact subjective applied to the audience, not the author.

Wagnerian Opera: A set of three points, a right triangle, is given a fourth point, a stretch bend past the hypotenuse, to throw the trigonometry of the potential thief. A popular formula is noticed, in life, and is duplicated by taking life experiences, and combining them with the formula of the arts. In this way, any thief will produce the bombastic, a salute to the simplicity of form and the resistance to the academics of the day, merely for having viewed a thief's material printed in clear press and prominence.

Voodoo Rat: The first stage is identifying the common thread between your mouse's indicator (evidence) and your own awareness (insight).  This is commonly called intuition, although it is actually a disturbance that elects one to act in creativity (forensics).  The forensic is always after the fact, produced by one's insight of evidence, necessarily staged backwards and passively, since the act of determining a profile-snare is not an act of hunting (production of forensic) but tracking (conception of parallel).  The conception of parallel is from the mutual bond you have with your fantasy (methodology and image), and the forensic inspiration.  Then, the catharsis (complex and behavior) that causes the fantasy to be acted out is conceived.  Finally, the root (abuse and background) is merged.  This moves from tracking, to hunting.  The root is the need of the mouse, the hunger, the catharsis is the motion of the mouse, the sound, and the fantasy is the tail of the mouse, the trap.  The trap, the sound, and the hunger, are then placed into action as an inversion of one's self, to develop a hunting profile, to engage the individual after the act of composition has ceased, the individual created left in the proper place in case the hunt goes awry, and the rat, has given the detective a disease, turning him into a sick dog.